7/31/2023 0 Comments Rush 1976 album![]() “He was one of the goofiest looking guys I’d ever seen. What transformed Rush from callow Led Zeppelin copyists into prog titans was the replacement of drummer John Rutsey with Neil Peart. Finding My Way became a symbol to me of saving our first album.” 2112 (1976) ‘OK, let’s record that and one other song, and we’ll remix the others,’ he said. When we heard it we were heartbroken.” Terry Brown was brought in to remix, and asked the band for more songs. They recorded their debut album, Rush, in late-night sessions – after playing five sets a night at a Toronto bar called the Gasworks – only to find the initial mixes were “wimpy and weak. Then again, that’s what people thought about Rush and they ended up filling arenas for 40 years and joined the Rock and Roll Hall of Fame, so who knows? The book goes to one side, though, as Lee surveys the career of the only prog band to have had a Hollywood bromance written around them. ![]() Without Rush to sing and play bass for, Lee has kept himself busy compiling a coffee table book – Geddy Lee’s Big Beautiful Book of Bass – which sounds like one for a niche audience. And then we started to communicate again.” We didn’t know where the future was going to take us so we didn’t talk a ton then. “The first couple of months, we were emotionally hungover. “Alex and I just flew down to see Neil two weeks ago and hung for a couple of days,” Lee says, surrounded by the detritus of high tea in one of London’s grand but discreet hotels. Three and a half years after the prog band’s final show together, Geddy Lee, Alex Lifeson and Neil Peart haven’t gone their separate ways. 22 greatest progressive rock album of all time according to a Rolling Stone Magazine list.I t’s nice that the three members of Rush are still friends. "2112 was the beginning of everything for us and, without which, nothing," said Peart. It helped define their sound and it helped them move forward as musicians to build on their legacy which includes so many amazing albums like Hemispheres, Moving Pictures and Permanent Waves. and Canada.Ģ112 was the seminal album for Rush. This is exactly what we don't need'."īut for the band, it was very well-received by fans and music listeners, and, despite an ignorant backlash from mainstream media at the time regarding the idea of 2112, the album was a major hit, going multi platinum in both the U.S. "The general feeling in the office was 'we're in trouble. "Ray Daniels actually brought the record into Mercury and we all sat in the conference room and listened to it," recalled Burnstein. Rush live in 1976 touring 2112However, when it was time for the record execs at Mercury to hear the album for the first time, they were less than impressed. The second side is a collection of separate, but great, songs. This time they got it right with the concept about individualism vs collectivism in the epic title track, which filled the entire first side of the 2112 album. Compromise was a word that I couldn't deal with. "I felt this great sense of injustice that this mass was coming down on us and telling us to compromise. ![]() If this is our last shot, we're gonna do it. In fact, their reaction was to do what any self-respecting rock band would do. "We got out of Chicago with the deal intact for one more record, breathed a sigh of relief, and then it was up to Terry and the band what they were going to deliver," said Daniels, who later managed Van Halen and Extreme.Īs for the members of Rush themselves, when they heard what was going down with the ultimatum from their label, they didn't cave. They wanted to drop Rush from the label, but Daniels assured Mercury Records the Caress of Steel follow up would be more commercial and less of a concept album. In fact, the band's then-manager, Ray Daniels, and producer Terry Brown, had a meeting with the label, which had Cliff Burnstein (who now helps manage Metallica under his company Q Prime) working in marketing. "There was a great deal of pressure on the band at that time from the record company, from management, to maybe take a couple of steps back and think about where (we're) going," said Lifeson. Because it was a veritable commercial flop, drummer Neil Peart, bassist/vocalist Geddy Lee and guitarist Alex Lifeson were given an ultimatum from their record company back then, Mercury Records: Produce a hit album, or find another career path. It all starts back in late 1975-early 1976, following the disappointing sales of Caress of Steel, Rush's meandering, conceptual predecessor to 2112. ![]() For the Canadian power trio Rush, you could say their landmark album 2112 was not only the record that saved them from rock 'n roll oblivion, but it was also a testament to what a band can do when they stick to their guns.
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